約 1,071,788 件
https://w.atwiki.jp/paper/pages/36.html
UNIVERSAL MUSIC UCCM-9xxx 2000-10-25 UCCM-9001 Oscar Peterson "action" 2000-10-25 UCCM-9002 Oscar Peterson "my favorite instrument" 2000-10-25 UCCM-9003 Oscar Peterson "girl talk" 2000-10-25 UCCM-9004 Oscar Peterson "mellow mood" 2000-10-25 UCCM-9005 Oscar Peterson "travelin on" 2000-10-25 UCCM-9006 Oscar Peterson "the way I really play" 2000-10-25 UCCM-9007 Oscar Peterson Trio with Herb Ellis "hello Herbie" 2000-10-25 UCCM-9008 oscar peterson trio "TRISTEZA on piano" 2000-10-25 UCCM-9009 THE OSCAR PETERSON TRIO + SINGERS UNLIMITED "IN TUNE" 2000-10-25 UCCM-9010 Oscar Peterson "REUNION BLUES" 2000-10-25 UCCM-9011 JIM HALL "IT S NICE TO BE WITH YOU - JIM HALL INBERLIN" 2000-10-25 UCCM-9012 JOE PASS "INTERCONTINENTAL" 2000-10-25 UCCM-9013 Stephane Grappelli "Young Django" 2000-10-25 UCCM-9014 THE SINGERS UNLIMITED "A CAPELLA" 2000-10-25 UCCM-9015 THE SINGERS UNLIMITED "A CAPELLA II" 2000-11-22 UCCM-9016 The Monty Alexander Trio "MONTREUX ALEXANDER LIVE! at theMontreux Festival" 2000-11-22 UCCM-9017 Hampton Hawes "Hamp s Piano" 2000-11-22 UCCM-9018 TETE MONTOLIU "PIANO FOR NURIA" 2000-11-22 UCCM-9019 STEVE KUHN TRIO "WATCH WHAT HAPPENS!" 2000-11-22 UCCM-9020 John Taylor Trio "DECIPHER" 2000-11-22 UCCM-9021 YANCY KOROSSY "IDENTIFICATION" 2000-11-22 UCCM-9022 Elise Bianchi "THE SWEETEST SOUND" 2000-11-22 UCCM-9023 EUGEN CICERO "Rokoko-Jazz" 2000-11-22 UCCM-9024 BILL EVANS "SYMBIOSIS" 2000-11-22 UCCM-9025 DEXTER GORDON SLIDE HAMPTON "A DAY INCOPENHAGEN" 2000-11-22 UCCM-9026 ALBERT MANGELSDORFF, JACO PASTORIUS, ALPHONSE MOUZON"TRILOGUE -LIVE!" 2000-11-22 UCCM-9027 DON CHERRY "ETERNAL RHYTHM" 2000-11-22 UCCM-9028 ARCHIE SHEPP "LIFE AT THE DONAUESCHINGEN MUSICFESTIVAL" 2000-11-22 UCCM-9029 THE DAVE PIKE SET "NOISY SILENCE - GENTLE NOISE" 2000-11-22 UCCM-9030 Ella Fitzgerald "SUNSHINE OF YOUR LOVE" 2001-02-25 UCCM-9031 Dinah Washington "Dinah Jams Complete Sessions" +4 2001-02-25 UCCM-9032 Helen Merrill With Strings "Helen Merrill WithStrings" 2001-02-25 UCCM-9033 Helen Merrill "THE NEARNESS OF YOU" 2001-02-25 UCCM-9034 SARAH VAUGHAN AND HER TRIO "RECORDED ON THE SPOT AT THEFAMOUS MR. KELLY S IN CHICAGO" +11 2001-02-25 UCCM-9035 Sarah Vaughan "IN THE LAND OF HI-FI" 2001-02-25 UCCM-9036 Thelma Gracen "Thelma Gracen" 2001-02-25 UCCM-9037 Patti Page "In the Land of Hi-Fi" 2001-02-25 UCCM-9038 Patti Page "Tennessee Waltz" +10 2001-02-25 UCCM-9039 Sarah Vaughan "NO COUNT SARAH" 2001-02-25 UCCM-9040 Miyoshi Umeki "Miyoshi Umeki Sings American Songs inJapanese" 2001-03-28 UCCM-9041 Miyoshi Umeki "Miyoshi" 2001-02-25 UCCM-9042 Pat Morrissey "I m Pat Morrissey - I Sing" 2001-02-25 UCCM-9043 Morgana King "Morgana King Sings the Blues" 2001-02-25 UCCM-9044 SHIRLEY HORN "LOADS OF LOVE" 2001-04-21 UCCM-9045 Rita Reys "THE COOL VOICE OF RITA REYS NO.2" 2001-04-21 UCCM-9046 rita reys and the pim jacobs trio "jazz pictures" 2001-04-21 UCCM-9047 Rita Reys "AT THE GOLDEN CIRCLE CLUB STOCKHOLM" 2001-03-28 UCCM-9048 Sue Raney "Happiness is a warm Sue Raney" 2001-04-21 UCCM-9049 MONICA ZETTERLUND "MAKE MINE SWEDISH STYLE" 2001-02-25 UCCM-9050 Polly Bergen "Act One Sing Too" 2002-05-29 UCCM-9051 Helen Merrill "Helen Merrill With Clifford Brown" 2002-05-29 UCCM-9052 CLIFFORD BROWN AND MAX ROACH "Study In Brown" 2002-05-29 UCCM-9053 CLIFFORD BROWN and MAX ROACH "CLIFFORD BROWN and MAXROACH" 2002-05-29 UCCM-9054 CLIFFORD BROWN and MAX ROACH "at Basin Street" +8 2002-05-29 UCCM-9055 Brown and Roach Incorporated "Brown and RoachIncorporated" +3 2002-05-29 UCCM-9056 Clifford Brown "Clifford Brown With Strings" 2002-05-29 UCCM-9057 MAX ROACH +4"MAX ROACH +4" 2002-05-29 UCCM-9058 Gerry Mulligan "Night Lights" 2002-05-29 UCCM-9059 Cannonball Adderley "Cannonball Adderley Quintet inChicago" 2002-05-29 UCCM-9060 Erroll Garner "Erroll Garner Plays Misty" 2002-05-29 UCCM-9061 ROLAND KIRK "DOMINO" +4 2002-05-29 UCCM-9062 OSCAR PETERSON TRIO + ONE CLARK TERRY "OSCAR PETERSON TRIO + ONE CLARK TERRY" 2002-05-29 UCCM-9063 Chet Baker "Baker s Holiday" 2002-05-29 UCCM-9064 Monica Zetterlund "Waltz for Debby" +6 2002-05-29 UCCM-9065 MILES DAVIS "Ascenseur pour l echafaud(Lift to the scaffold)" 2002-05-29 UCCM-9066 Eric Dolphy "Last Date" 2002-05-29 UCCM-9067 art blakey s jazz messengers "olympia concert" 2002-05-29 UCCM-9068 Herb Geller "Herb Geller Plays" 2002-05-29 UCCM-9069 Oscar Peterson "Blues Etude" 2002-05-29 UCCM-9070 BENNY GOLSON "TURNING POINT" 2002-05-29 UCCM-9071 Quincy Jones "THE GREAT WIDE WORLD OF QUINCY JONES" 2002-05-29 UCCM-9072 V.A. "3/27/65 Charlie Parker 10th Memorial ConcertRecorded Live at Carnegie Hall" +3 2002-05-29 UCCM-9073 Milt Jackson "At the Museum of Modern Art" 2002-05-29 UCCM-9074 Three Sounds "Today s Sounds By the Three Sounds" 2002-05-29 UCCM-9075 Art Farmer "LISTEN TO Art Farmer AND THE ORCHESTRA" 2002-07-24 UCCM-9076 Sarah Vaughan "Sarah Vaughan with Clifford Brown" 2002-07-24 UCCM-9077 Dinah Washington "Dinah Jams" 2002-07-24 UCCM-9078 CLIFFORD BROWN and MAX ROACH "More Study in Brown" 2002-07-24 UCCM-9079 CLIFFORD BROWN ALL STARS "Jam Session" 2002-07-24 UCCM-9080 CLIFFORD BROWN ALL STARS "JAMS 2" 2002-07-24 UCCM-9081 CLIFFORD BROWN ALL STARS "Best Coast Jazz" +1 2002-07-24 UCCM-9082 CLIFFORD BROWN ALL STARS "Caravan" +1 2002-07-24 UCCM-9083 MAX ROACH "JAZZ IN 3/4 TIME" +2 2002-07-24 UCCM-9084 Michel Legrand Meets Miles Davis "Legrand Jazz" +3 2002-07-24 UCCM-9085 the Modern Jazz Quartet, the Swingle Singers "PlaceVendome" 2002-07-24 UCCM-9086 Roland Kirk "RIP PIG PANIC" 2002-07-24 UCCM-9087 THE OSCAR PETERSON TRIO "CANADIANA SUITE" 2002-07-24 UCCM-9088 The Oscar Peterson Trio "ELOQUENCE" 2002-07-24 UCCM-9089 Cannonball Adderley "Cannonball s Sharpshooters" +2 2002-07-24 UCCM-9090 Cannonball Adderley "Sophisticated Swing" 2002-07-24 UCCM-9091 Nat Adderley "to the ivy league from NAT" +3 2002-07-24 UCCM-9092 Quincy Jones and his orchestra "at Newport 61" +1 2002-07-24 UCCM-9093 Buddy Rich Max Roach "RICH VERSUS ROACH" 2002-07-24 UCCM-9094 GERRY MULLIGAN and his sextet "MAINSTREAM OF JAZZ" 2002-07-24 UCCM-9095 Chet Baker "Baby Breeze" +5 2002-07-24 UCCM-9096 MAX ROACH plus FOUR "QUIET AS IT S KEPT" 2002-07-24 UCCM-9097 DIZZY GILLESPIE "THE NEW CONTINENT" 2002-07-24 UCCM-9098 ART BLAKEY JAZZ MESSENGERS " S MAKE IT" 2002-07-24 UCCM-9099 LES McCANN LTD. "BUT NOT REALLY" 2002-07-24 UCCM-9100 Art Farmer, Benny Golson Jazztet "Here and Now" 2002-11-20 UCCM-9101 the john williams trio "the john williams trio" 2002-11-20 UCCM-9102 Herb Geller "The Gellers" 2002-11-20 UCCM-9103 The Max Roach 4 Plays Charlie Parker "The Max Roach 4 Plays Charlie Parker" 2002-11-20 UCCM-9104 Clark Terry "Clark Terry" 2002-11-20 UCCM-9105 Eddie Heywood "Eddie Heywood" 2002-11-20 UCCM-9106 Joe Gordon "Introducing Joe Gordon" 2002-11-20 UCCM-9107 Paul Bley "Paul Bley" 2002-11-20 UCCM-9108 ROY HAYNES AND QUINCY JONES "JAZZ ABROAD" 2002-11-20 UCCM-9109 The Herb Geller Sextette "The Herb Geller Sextette" 2002-11-20 UCCM-9110 Max Roach+4 "On the Chicago Scene" 2002-11-20 UCCM-9111 Lars Gullin "Lars Gullin" (canceled) 2002-11-20 UCCM-9112 Bernard Peiffer "Bernie s Tunes" 2002-11-20 UCCM-9113 Lionel Hampton "Crazy Rhythm" 2002-11-20 UCCM-9114 Terry Gibbs "Terry Gibbs" 2002-11-20 UCCM-9115 Dick Johnson "Music for Swinging Moderns" 2002-11-20 UCCM-9116 Eddie Chamblee "Chamblee Music" 2002-11-20 UCCM-9117 Jimmy Cleveland and his orchestra "Cleveland Style" 2002-11-20 UCCM-9118 Charlie Ventura "Jumping With Ventura" 2002-11-20 UCCM-9119 Paul Quinichette "THE VICE PRES" 2002-11-20 UCCM-9120 Maynard Ferguson "Jam Session" 2002-12-18 UCCM-9121 THE AL COHN, ZOOT SIMS QUINTET "YOU N ME" 2002-12-18 UCCM-9122 THE BROTHERS CANDOLI SEXTET "2 FOR THE MONEY" 2002-12-18 UCCM-9123 GERRY MULLIGAN SEXTET "A PROFILE OF GERRY MULLIGAN" 2002-12-18 UCCM-9124 Julian Cannonball Adderley "CANNONBALL ENROUTE" 2002-12-18 UCCM-9125 the max roach quintet "the many sides of max" 2002-12-18 UCCM-9126 BILLY TAYLOR "IMPROMPTU" 2002-12-18 UCCM-9127 JOE NEWMAN QUINTET AT COUNT BASIE S "JOE NEWMAN QUINTET AT COUNT BASIE S" 2002-12-18 UCCM-9128 Art Blakey And Jazz Messengers "Soul Finger" 2002-12-18 UCCM-9129 Oscar Peterson Trio "With Respect to Nat" 2002-12-18 UCCM-9130 Art Blakey And Jazz Messengers "Buttercorn Lady" 2003-01-29 UCCM-9131 ZOOT SIMS "COOKIN !" 2003-01-29 UCCM-9132 The Tubby Hayes Quartet "MEXICAN GREEN" 2003-01-29 UCCM-9133 THE TUBBY HAYES ORCHESTRA "100% PROOF" 2003-01-29 UCCM-9134 TUBBY HAYES and the All Stars "RETURN VISIT!" 2003-01-29 UCCM-9135 THE DIAMOND FIVE "Brilliant!" 2003-01-29 UCCM-9136 MAURICE VANDER, KENNY CLARKE, PIERRE MICHELOT "JAZZ AT THE BLUE NOTE" 2003-01-29 UCCM-9137 Trio Pim Jacobs "Come fly with me" 2003-01-29 UCCM-9138 Jean-Luc Ponty "Jazz Long Playing" (canceled) 2003-01-29 UCCM-9139 The Tony Coe Quintet "SWINGIN TILL THE GIRLS COME HOME" 2003-01-29 UCCM-9140 THE ALAN SKIDMORE QUINTET "TCB" 2003-02-26 UCCM-9141 Rita Reys with the Pim Jacobs Trio "Marriage in Modern Jazz" 2003-02-26 UCCM-9142 BENGT HALLBERG, RITA REYS "two JAZZY people" 2003-02-26 UCCM-9143 Rita Reys "RITA REYS MEETS OLIVER NELSON" 2003-02-26 UCCM-9144 Rita Reys with the Pim Jacobs Combo "Relax with Rita Pim" 2003-02-26 UCCM-9145 susan maughan "swingin susan" 2003-02-26 UCCM-9146 susan maughan "Sentimental Susan" 2003-02-26 UCCM-9147 MARILYN BURROUGHS "I Feel Pretty" 2003-02-26 UCCM-9148 Blossom Dearie "That s just the way I want to be" 2003-02-26 UCCM-9149 Lita Roza "Between the Devil and the Deep Blue Sea" 2003-02-26 UCCM-9150 JOAN REGAN "Just Joan" 2003-03-26 UCCM-9151 QUINCY JONES "the birth of a band!" +2 2003-03-26 UCCM-9152 QUINCY JONES "Quincy Jones PLAYS Hip Hits" 2003-03-26 UCCM-9153 QUINCY JONES "GOLDEN BOY" 2003-03-26 UCCM-9154 QUINCY JONES "QUINCY PLAYS FOR PUSSYCATS" 2003-03-26 UCCM-9155 QUINCY JONES "QUINCY S GOT A BRAND NEW BAG" 2003-03-26 UCCM-9156 QUINCY JONES "WALKING IN SPACE" 2003-03-26 UCCM-9157 QUINCY JONES "smackwater jack" 2003-04-09 UCCM-9158 QUINCY JONES "BODY HEAT" 2003-03-26 UCCM-9159 QUINCY JONES "MELLOW MADNESS" 2003-03-26 UCCM-9160 QUINCY JONES "Sounds...And Stuff Like That" 2003-09-26 UCCM-9171 GARRICK SEXTET "Promises" 2003-09-26 UCCM-9172 NATHAN DAVIS QUARTET "RULES OF FREEDOM" 2003-09-26 UCCM-9173 ZBIGNIEW NAMYSLOWSKI MODERN JAZZ QUARTET "LOLA" 2003-09-26 UCCM-9174 THE FRITZ PAUER TRIO "BLUES INSIDE OUT" 2003-09-26 UCCM-9175 Doldinger "in sud amerika" 2003-09-26 UCCM-9176 Terje Rypdal "BLEAK HOUSE" 2003-09-26 UCCM-9177 SABU MARTINEZ "AFRO TEMPLE" 2004-03-24 UCCM-9178 THE TUBBY HAYES QUINTET "DOWN IN THE VILLAGE" 2004-03-24 UCCM-9179 the Tubby Hayes quintet "late spot at Scott s" 2004-03-24 UCCM-9180 TUBBY HAYES "TUBBS" 2004-03-24 UCCM-9181 The Tubby Hayes Orchestra "TUBBS TOURS" 2004-03-24 UCCM-9182 CLEO LAINE TUBBY HAYES "PALLADIUM JAZZ DATE" 2004-03-24 UCCM-9183 COSTANZO plus TUBBS "EQUATION IN RHYTHM" 2004-04-21 UCCM-9184 Nina Simone "nina simone in concert" 2004-04-21 UCCM-9185 Nina Simone "broadway-blues-ballads" 2004-04-21 UCCM-9186 NINA SIMONE "I PUT A SPELL ON YOU" 2004-04-21 UCCM-9187 Nina Simone "Pastel Blues" 2004-04-21 UCCM-9188 NINA SIMONE "LET IT ALL OUT" 2004-04-21 UCCM-9189 nina simone "Wild is the Wind" 2004-04-21 UCCM-9190 NINA SIMONE "high priestess of soul" 2005-02-02 UCCM-9191 THE TONY WILLIAMS LIFETIME "EMERGENCY!" 2005-02-02 UCCM-9192 the tony williams lifetime "turn it over" +1 2005-02-02 UCCM-9193 THE TONY WILLIAMS LIFETIME "EGO" 2005-02-02 UCCM-9194 THE TONY WILLIAMS LIFETIME "The OLD Bum s Rush" 2005-02-02 UCCM-9195 john mclaughlin "extrapolation" 2005-02-02 UCCM-9196 Mike Westbrook Concert Band "LOVE SONGS" 2005-02-02 UCCM-9197 JOHNNY ALMOND MUSIC MACHINE "HOLLYWOOD BLUES" 2005-02-02 UCCM-9198 MICHAEL GIBBS "TANGLEWOOD 63" 2005-07-27 UCCM-9204 THE KENNY CLARKE-FRANCY BOLAND BIG BAND "SAX NO END" 2005-07-27 UCCM-9205 THE KENNY CLARKE-FRANCY BOLAND BIG BAND "ALL SMILES" 2005-07-27 UCCM-9206 THE KENNY CLARKE-FRANCY BOLAND BIG BAND "FELLINI 712" 2005-08-03 UCCM-9207 THE KENNY CLARKE-FRANCY BOLAND BIG BAND "MORE SMILES" 2005-08-03 UCCM-9208 THE KENNY CLARKE-FRANCY BOLAND BIG BAND "ALL BLUES" 2005-08-24 UCCM-9209 The Count Basie Orchestra "HIGH VOLTAGE" 2005-08-24 UCCM-9210 Count Basie And His Orchestra "Basic Basie" 2005-09-21 UCCM-9211 Oscar Peterson "my favorite instrument" 2005-09-21 UCCM-9212 Oscar Peterson "girl talk" 2005-09-21 UCCM-9213 Oscar Peterson "the way I really play" 2005-09-21 UCCM-9214 Oscar Peterson "Hello Herbie" 2005-09-21 UCCM-9215 Oscar Peterson "REUNION BLUES" 2005-09-21 UCCM-9216 Oscar Peterson "MOTIONS EMOTIONS" 2005-09-21 UCCM-9217 Oscar Peterson "TRACKS" 2005-09-21 UCCM-9218 The Oscar Peterson Trio "Walking The Line" 2005-09-21 UCCM-9219 The Oscar Peterson Trio "Another Day" 2005-09-21 UCCM-9220 OSCAR PETERSON "GREAT CONNECTION" 2005-12-14 UCCM-9221 PAUL DESMOND "SUMMERTIME" 2005-12-14 UCCM-9222 Paul Desmond "Bridge Over Troubled Water" 2005-12-14 UCCM-9223 PAUL DESMOND "FROM THE HOT AFTERNOON" +6 2005-12-14 UCCM-9224 THE PAUL DESMOND QUARTET "LIVE" +1 2005-12-14 UCCM-9225 JIM HALL "LIVE!" 2005-12-14 UCCM-9226 JIM HALL "COMMITMENT" 2005-12-14 UCCM-9227 Charlie Haden "CLOSENESS" 2005-12-14 UCCM-9228 CHARLIE HADEN "THE GOLDEN NUMBER" 2005-12-14 UCCM-9229 ORNETTE COLEMAN "DANCING IN YOUR HEAD" +1 2005-12-14 UCCM-9230 CHET BAKER "YOU CAN T GO HOME AGAIN" 2006-01-25 UCCM-9231 THE DAVE PIKE SET "NOISY SILENCE - GENTLE NOISE" 2006-01-25 UCCM-9232 NOVI SINGERS "NOVI IN WONDERLAND" 2006-01-25 UCCM-9233 Wolfgang Dauner Quintet "THE OIMELS" 2006-01-25 UCCM-9234 MARK MURPHY "MIDNIGHT MOOD" 2006-01-25 UCCM-9235 V.A. "FOLKLORE e BOSSA NOVA DO BRASIL" 2006-01-25 UCCM-9236 NATHAN DAVIS "HAPPY GIRL" 2006-01-25 UCCM-9237 HIDEO SHIRAKI QUINTET +3 KOTO GIRLS "SAKURA SAKURA" 2006-01-25 UCCM-9238 MR. FATS SADI - HIS VIBES HIS FRIENDS "ENSADINADO" 2006-01-25 UCCM-9239 GEORGE GRUNTZ "NOON IN TUNISIA" 2006-01-25 UCCM-9240 Karel Velebny "NONET SHQ WOODWINDS"
https://w.atwiki.jp/storyofash/
KOF アッシュ編データーベース β アッシュ編の超個人的まとめ目指す個人的wikiです。 チームストーリーについては公式サイトで、台詞全般については特殊デモ以外はムックでお願いします。 編集は管理人のみとなっております 寄稿や指摘など、下のリンク先からお気軽にお願いいたします 製作意図について 新しくKOFにはまられた方、アッシュ編からはいられた方、面白そうだけど話が分からない…という方が多いなあと思ったり感じたりしたので、製作してみました。 また、β版製作にあたり、情報提供していただいた方々にこの場を借りてお礼申し上げます。 管理人：ぽん太夫 β版公開日：2007/10/04 連絡先 Wikiガイド @wiki ご利用ガイド @wikiの基本操作 @wiki構文 よくある質問 @wikiへお問い合わせ
https://w.atwiki.jp/2chmgo2pc2/pages/173.html
【KOF-XII版】ラルフ・ジョーンズ 部位 パーツ名 色 必要rwd 備考 【HEAD】バンダナ（カニンガムスタイル） マルーン 5000 グローブと色を合わせるならブラックで ネイキッド (色固定) 50 97版なら白Ｔシャツ LOWER BODY オリーブドラブ 1000 【CHEST】ロードベアリングベスト（Aタイプ） オリーブドラブ 300 － － － レザーグローブ(オセロット愛用) (固定色) 2000 【FEET】タクティカルブーツ ブラック 50 － － － 武器 合計rwd 8400 迷彩効果区分：その他 備考 ハイデルンの率いる傭兵部隊に所属する傭兵、階級は大佐。 ・需要は皆無。完全にお一人様専用である。 -- 名無しさん (2009-12-28 12 00 34) まず髭なしPCで再現しようぜｗ あと白Tシャツ着たほうがかっこいいかと -- 名無しさん (2009-12-28 23 15 11) しつもーん 筋肉はどうやって再現するんですか？ -- 名無しさん (2009-12-29 06 39 43) 元ネタしらない･･･ -- 名無しさん (2009-12-29 11 29 25) このシリーズはいったい・・・ -- 名無しさん (2010-01-25 08 08 49) さすがに需要ないだろ -- 名無しさん (2010-01-25 23 13 21) ハイデルンも作って -- 名無しさん (2010-01-31 23 10 36) だ、だ、だれだーーーーーー！！！！ -- 名無しさん (2011-04-17 07 55 48) 名前 コメント このページに関する意見・雑談は →こちら
https://w.atwiki.jp/kakugame/pages/416.html
必殺技 半月斬 ↓↙︎← K 覇気脚 ↓↓ 飛翔脚 ジャ↓↘︎→＋K〜D 飛燕斬① ↓タメ↑＋K ┗天昇斬 ①強〜↓＋D 三連撃 ↓↙︎←＋P ↓↙︎←＋P(×2) 三空撃 ↗︎＋K.↓＋K 超必殺技 鳳凰脚 ↓↙︎←↙︎→ K 鳳凰飛天脚 (↓↘︎→)×2 空中鳳凰脚 ↓↙︎←↙︎→＋BD MAX2超必殺技 ゼロ距離鳳凰脚 (02) 接↓↙︎←↙︎→ ABCD (UM) AC 投げ技 首極め落とし 接←•→ C 殺脚投げ D 特殊技 ネリチャギ →＋B キャラ別索引 KOF02(&02UM)
https://w.atwiki.jp/pyopyo0124/pages/45.html
CHAPTER XXX UP CHAPTER XXXII CHAPTER XXXI Where the Brook and River Meet Anne had her "good" summer and enjoyed it wholeheartedly. She and Diana fairly lived outdoors, reveling in all the delights that Lover s Lane and the Dryad s Bubble and Willowmere and Victoria Island afforded. Marilla offered no objections to Anne s gypsyings. The Spencervale doctor who had come the night Minnie May had the croup met Anne at the house of a patient one afternoon early in vacation, looked her over sharply, screwed up his mouth, shook his head, and sent a message to Marilla Cuthbert by another person. It was "Keep that redheaded girl of yours in the open air all summer and don t let her read books until she gets more spring into her step." This message frightened Marilla wholesomely. She read Anne s death warrant by consumption in it unless it was scrupulously obeyed. As a result, Anne had the golden summer of her life as far as freedom and frolic went. She walked, rowed, berried, and dreamed to her heart s content; and when September came she was bright-eyed and alert, with a step that would have satisfied the Spencervale doctor and a heart full of ambition and zest once more. "I feel just like studying with might and main," she declared as she brought her books down from the attic. "Oh, you good old friends, I m glad to see your honest faces once more--yes, even you, geometry. I ve had a perfectly beautiful summer, Marilla, and now I m rejoicing as a strong man to run a race, as Mr. Allan said last Sunday. Doesn t Mr. Allan preach magnificent sermons? Mrs. Lynde says he is improving every day and the first thing we know some city church will gobble him up and then we ll be left and have to turn to and break in another green preacher. But I don t see the use of meeting trouble halfway, do you, Marilla? I think it would be better just to enjoy Mr. Allan while we have him. If I were a man I think I d be a minister. They can have such an influence for good, if their theology is sound; and it must be thrilling to preach splendid sermons and stir your hearers hearts. Why can t women be ministers, Marilla? I asked Mrs. Lynde that and she was shocked and said it would be a scandalous thing. She said there might be female ministers in the States and she believed there was, but thank goodness we hadn t got to that stage in Canada yet and she hoped we never would. But I don t see why. I think women would make splendid ministers. When there is a social to be got up or a church tea or anything else to raise money the women have to turn to and do the work. I m sure Mrs. Lynde can pray every bit as well as Superintendent Bell and I ve no doubt she could preach too with a little practice." "Yes, I believe she could," said Marilla dryly. "She does plenty of unofficial preaching as it is. Nobody has much of a chance to go wrong in Avonlea with Rachel to oversee them." "Marilla," said Anne in a burst of confidence, "I want to tell you something and ask you what you think about it. It has worried me terribly--on Sunday afternoons, that is, when I think specially about such matters. I do really want to be good; and when I m with you or Mrs. Allan or Miss Stacy I want it more than ever and I want to do just what would please you and what you would approve of. But mostly when I m with Mrs. Lynde I feel desperately wicked and as if I wanted to go and do the very thing she tells me I oughtn t to do. I feel irresistibly tempted to do it. Now, what do you think is the reason I feel like that? Do you think it s because I m really bad and unregenerate?" Marilla looked dubious for a moment. Then she laughed. "If you are I guess I am too, Anne, for Rachel often has that very effect on me. I sometimes think she d have more of an influence for good, as you say yourself, if she didn t keep nagging people to do right. There should have been a special commandment against nagging. But there, I shouldn t talk so. Rachel is a good Christian woman and she means well. There isn t a kinder soul in Avonlea and she never shirks her share of work." "I m very glad you feel the same," said Anne decidedly. "It s so encouraging. I shan t worry so much over that after this. But I dare say there ll be other things to worry me. They keep coming up new all the time--things to perplex you, you know. You settle one question and there s another right after. There are so many things to be thought over and decided when you re beginning to grow up. It keeps me busy all the time thinking them over and deciding what is right. It s a serious thing to grow up, isn t it, Marilla? But when I have such good friends as you and Matthew and Mrs. Allan and Miss Stacy I ought to grow up successfully, and I m sure it will be my own fault if I don t. I feel it s a great responsibility because I have only the one chance. If I don t grow up right I can t go back and begin over again. I ve grown two inches this summer, Marilla. Mr. Gillis measured me at Ruby s party. I m so glad you made my new dresses longer. That dark-green one is so pretty and it was sweet of you to put on the flounce. Of course I know it wasn t really necessary, but flounces are so stylish this fall and Josie Pye has flounces on all her dresses. I know I ll be able to study better because of mine. I shall have such a comfortable feeling deep down in my mind about that flounce." "It s worth something to have that," admitted Marilla. Miss Stacy came back to Avonlea school and found all her pupils eager for work once more. Especially did the Queen s class gird up their loins for the fray, for at the end of the coming year, dimly shadowing their pathway already, loomed up that fateful thing known as "the Entrance," at the thought of which one and all felt their hearts sink into their very shoes. Suppose they did not pass! That thought was doomed to haunt Anne through the waking hours of that winter, Sunday afternoons inclusive, to the almost entire exclusion of moral and theological problems. When Anne had bad dreams she found herself staring miserably at pass lists of the Entrance exams, where Gilbert Blythe s name was blazoned at the top and in which hers did not appear at all. But it was a jolly, busy, happy swift-flying winter. Schoolwork was as interesting, class rivalry as absorbing, as of yore. New worlds of thought, feeling, and ambition, fresh, fascinating fields of unexplored knowledge seemed to be opening out before Anne s eager eyes. "Hills peeped o er hill and Alps on Alps arose." Much of all this was due to Miss Stacy s tactful, careful, broadminded guidance. She led her class to think and explore and discover for themselves and encouraged straying from the old beaten paths to a degree that quite shocked Mrs. Lynde and the school trustees, who viewed all innovations on established methods rather dubiously. Apart from her studies Anne expanded socially, for Marilla, mindful of the Spencervale doctor s dictum, no longer vetoed occasional outings. The Debating Club flourished and gave several concerts; there were one or two parties almost verging on grown-up affairs; there were sleigh drives and skating frolics galore. Betweentimes Anne grew, shooting up so rapidly that Marilla was astonished one day, when they were standing side by side, to find the girl was taller than herself. "Why, Anne, how you ve grown!" she said, almost unbelievingly. A sigh followed on the words. Marilla felt a queer regret over Anne s inches. The child she had learned to love had vanished somehow and here was this tall, serious-eyed girl of fifteen, with the thoughtful brows and the proudly poised little head, in her place. Marilla loved the girl as much as she had loved the child, but she was conscious of a queer sorrowful sense of loss. And that night, when Anne had gone to prayer meeting with Diana, Marilla sat alone in the wintry twilight and indulged in the weakness of a cry. Matthew, coming in with a lantern, caught her at it and gazed at her in such consternation that Marilla had to laugh through her tears. "I was thinking about Anne," she explained. "She s got to be such a big girl--and she ll probably be away from us next winter. I ll miss her terrible." "She ll be able to come home often," comforted Matthew, to whom Anne was as yet and always would be the little, eager girl he had brought home from Bright River on that June evening four years before. "The branch railroad will be built to Carmody by that time." "It won t be the same thing as having her here all the time," sighed Marilla gloomily, determined to enjoy her luxury of grief uncomforted. "But there--men can t understand these things!" There were other changes in Anne no less real than the physical change. For one thing, she became much quieter. Perhaps she thought all the more and dreamed as much as ever, but she certainly talked less. Marilla noticed and commented on this also. "You don t chatter half as much as you used to, Anne, nor use half as many big words. What has come over you?" Anne colored and laughed a little, as she dropped her book and looked dreamily out of the window, where big fat red buds were bursting out on the creeper in response to the lure of the spring sunshine. "I don t know--I don t want to talk as much," she said, denting her chin thoughtfully with her forefinger. "It s nicer to think dear, pretty thoughts and keep them in one s heart, like treasures. I don t like to have them laughed at or wondered over. And somehow I don t want to use big words any more. It s almost a pity, isn t it, now that I m really growing big enough to say them if I did want to. It s fun to be almost grown up in some ways, but it s not the kind of fun I expected, Marilla. There s so much to learn and do and think that there isn t time for big words. Besides, Miss Stacy says the short ones are much stronger and better. She makes us write all our essays as simply as possible. It was hard at first. I was so used to crowding in all the fine big words I could think of--and I thought of any number of them. But I ve got used to it now and I see it s so much better." "What has become of your story club? I haven t heard you speak of it for a long time." "The story club isn t in existence any longer. We hadn t time for it--and anyhow I think we had got tired of it. It was silly to be writing about love and murder and elopements and mysteries. Miss Stacy sometimes has us write a story for training in composition, but she won t let us write anything but what might happen in Avonlea in our own lives, and she criticizes it very sharply and makes us criticize our own too. I never thought my compositions had so many faults until I began to look for them myself. I felt so ashamed I wanted to give up altogether, but Miss Stacy said I could learn to write well if I only trained myself to be my own severest critic. And so I am trying to." "You ve only two more months before the Entrance," said Marilla. "Do you think you ll be able to get through?" Anne shivered. "I don t know. Sometimes I think I ll be all right--and then I get horribly afraid. We ve studied hard and Miss Stacy has drilled us thoroughly, but we mayn t get through for all that. We ve each got a stumbling block. Mine is geometry of course, and Jane s is Latin, and Ruby and Charlie s is algebra, and Josie s is arithmetic. Moody Spurgeon says he feels it in his bones that he is going to fail in English history. Miss Stacy is going to give us examinations in June just as hard as we ll have at the Entrance and mark us just as strictly, so we ll have some idea. I wish it was all over, Marilla. It haunts me. Sometimes I wake up in the night and wonder what I ll do if I don t pass." "Why, go to school next year and try again," said Marilla unconcernedly. "Oh, I don t believe I d have the heart for it. It would be such a disgrace to fail, especially if Gil--if the others passed. And I get so nervous in an examination that I m likely to make a mess of it. I wish I had nerves like Jane Andrews. Nothing rattles her." Anne sighed and, dragging her eyes from the witcheries of the spring world, the beckoning day of breeze and blue, and the green things upspringing in the garden, buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them. CHAPTER XXX UP CHAPTER XXXII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 17 59 (Tue)
https://w.atwiki.jp/storyofash/pages/31.html
八神庵 【英名】Iori Yagami 【声優】安井邦彦 【格闘スタイル】八神流古武術＋本能 【誕生日】3月25日 【身長/体重】182cm/76kg 【血液型】O型 【出身地】日本 【趣味】バンド活動 【好きな食べ物】肉 【得意スポーツ】全部 【大切なもの】無し 【嫌いなもの】暴力 KOF95より登場し、シリーズ通しての草薙京のライバルであり対を成す人物。 背中に月輪を背負う。 「八神」の元の氏は、所持する神器の名の通り「八尺瓊」。 かつて先祖が、盟友である草薙・八咫（現・神楽）両家を裏切り、敵であったオロチと血の契約を交わしたことから、氏を「八神」に改める事となった。 その事からオロチの力を手に入れ、炎は青へと姿を変えたが、オロチの力は内から体を蝕み、XIで八神庵のくわえていた煙草にも血が付着している。 XIで暴走の折にアッシュに力を奪われた。 炎が出せない様子は、本編KOFとパラレルであるMIシリーズがクロスした「The King of Fighters Another Day」で見ることが出来る。
https://w.atwiki.jp/onlinedj/pages/11.html
mixxxは、フリーのDJソフトで、Windows/Mac/Linuxなどで動作します。 Mixxx | Free Digital DJ Software 最新バージョン：1.6.1(2008/09/28リリース) 特徴 殺風景なくらいシンプルで軽い 日本語のファイルは何割か文字化けする。プレイはできるけど…… 不安定。結構落ちる Windows版のみ、FLAC形式サポート(ダウンロードしての確認はまだ。どなたかFLACを使っている方、お願いします)
https://w.atwiki.jp/kakugame/pages/411.html
必殺技 飛翔拳 ↓↙︎← A 激 C 斬影拳① ↙︎→ P ┗疾風横拳 ①〜↓↘︎→ 昇龍弾 →↓↘︎ 激壁背水掌 接←↙︎↓↘︎→ クナイ弾(UM) 敵ダウン時↓↓ 空破弾 ←↙︎↓↘︎→ K 闇浴びせ蹴り ←↓↙︎ 幻影不知火 ジャ↓↘︎→ ┗(下/上)顎 〜＋P/K 超必殺技 超裂破弾 ↓↙︎←↙︎↓↘︎→ K 斬影流星拳 P MAX2超必殺技 残影至兜烈破弾 (↓↘︎→)×2＋AC〜ヒット後BCD 特殊技 剛臨•改 接←•→ C 抱え込み投げ D 特殊技 上げ面 ↘︎＋A 上顎 →＋B キャラ別索引 KOF02(&02UM)
https://w.atwiki.jp/kofscratch/pages/85.html
キャラクター +家庭用 家庭用 エリザベートチーム エリザベート デュオロン シェン 日本チーム 京 紅丸 大門 餓狼チーム テリー アンディ ジョー サイコソルジャーチーム アテナ ケンスウ チン 怒チーム レオナ ラルフ クラーク 女性格闘家チーム 舞 ユリ キング 八神チーム 庵 マチュア バイス 龍虎チーム リョウ ロバート タクマ キムチーム キム ホア ライデン K´チーム K´ クーラ マキシマ エディットキャラクター アッシュ ビリー 斎祀（変身前） DLCキャラクター 炎を取り戻した庵 ネスツスタイル京 Mr.カラテ +アーケード アーケード エディット アッシュ エリザベートチーム エリザベート デュオロン シェン 日本チーム 京 紅丸 大門 餓狼チーム テリー アンディ ジョー サイコソルジャーチーム アテナ ケンスウ チン 怒チーム レオナ ラルフ クラーク 女性格闘家チーム 舞 ユリ キング 八神チーム 庵 マチュア バイス 龍虎チーム リョウ ロバート タクマ キムチーム キム ホア ライデン K´チーム K´ クーラ マキシマ +ボス 以下の2キャラは現状プレイアブルではないです。 ボス 斎祀 血の螺旋に狂うアッシュ ここを編集
https://w.atwiki.jp/kakugame/pages/430.html
必殺技 スーパーアルゼンチンバックブリーカー① 接←↙︎↓↘︎→ K ┃フランケンシュタイナー② →↓↘︎ ┣┛ナパームストレッチ② P ┣┛マウントタックル③ ←↙︎↓↘︎→ ┃┣ローリングクレイドル④ ③〜↓↓ K ┃┣スリーパーリフト④┫ C ┃┗クラークリフト④━┫ A ┗フラッシングエルボー ①•②•④〜↓↘︎→ P シャイニング•ウィザード →↘︎↓↙︎← 超必殺技 ウルトラアルゼンチンバックブリーカー 接(→↘︎↓↙︎←)×2＋P ランニングスリー (←↙︎↓↘︎→)×2＋K MAX2超必殺技 ランニング•パイレーツ(02) (←↙︎↓↘︎→)×2＋BD ロアリングスフィア•怒号層圏(UM) (←↙︎↓↘︎→)×2＋BD ┗→↓↘︎＋K ┗←↙︎↓↘︎→ P ┗←↙︎↓↘︎→ K ┗↓↓ ┗↓↓ ABCD 投げ技 投げっぱなしジャーマン 接←•→ C フィッシャーマンバスター D デスレイクドライブ ジャ接↓＋C•D 特殊技 ストンピング →＋B キャラ別索引 KOF02(&02UM)